/page/2
240413-(wednessday, 19:05) some things happen only once, some things will never happen again

240413-(wednessday, 19:05) some things happen only once, some things will never happen again

230413-(tuesday, 19:20)

230413-(tuesday, 19:20)

210413-(sunday, 08:20)

210413-(sunday, 08:20)

‘Take 3 sine-waves. Do something with it.’

That’s in a nutshell the instruction for this week’s junto.
A challenge, if you’re (like me) suffering from a certain something I’d like to call ‘digital fatigue’.

I created a 4-minute piece, based on 3 sine-waves.
I only used my laptop this time.
Hey, ho, digital, let’s go!



***
Disquiet Junto Project 0062: Life of Sine

This week’s project involves making music from the basic building block of sound: the sine wave.

You will compose and record a piece of music using just three different sine waves, and nothing else — well, nothing else in terms of source material, but the waves can, after the piece has gotten underway, be transformed by any means you choose.

These are the steps:

Step 1: Devise which three sine waves you will employ. They should be different from each other in some evident way.

Step 2: The track should open with just one of the sine waves.

Step 3: Add the second sine wave at 5 seconds.

Step 4: Add the third sine wave at 10 seconds.

Step 4: Only at 15 seconds should you begin to in any way manipulate any of the source waves.


More on this 60th Disquiet Junto project at:

http://disquiet.com/2013/03/07/disquiet0062-lifeofsine

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto Project 0061: Textinstagr/am/bient

1. Background: This project is a low-key followup to the Instagr/am/bient compilation at the end of 2011, and that was in many ways the direct precursor of the Disquiet Junto.

Various contributors to Insta/gr/ambient were among the initial participants in the Junto. (http://disquiet.com/2011/12/28/instagrambient-25-sonic-postcards/ - https://soundcloud.com/disquiet/stijnhuwels/s-eYAXb)

2. Instructions:

Step 1: Roll a die six times (or six dice once), add up the combined results, and then subtract five from it. Make note of the resulting number.

Step 2: Visit this Twitter account:

https://twitter.com/textinstagram

Step 3: Count the tweets of that account backwards from the most recent tweet at the time of your visit until you reach the tweet that coincides with the resulting number from step 1 above. Make note of this tweet, unless it begins with an @ sign. If the tweet begins with an @ sign, then use the next tweet (continuing down in reverse chronological order). If the next tweet also begins with an @ sign, then continue until coming to a tweet that doesn’t begin with an @ sign. This final tweet will serve as the title of the track you will soon begin composing and recording.

Step 4: Now, roll a die twice (or two dice once), add up the combined results, and then subtract one from it. Make note of the resulting number.

Step 5: Visit this web page and locate the list of Instagram filters:

http://goo.gl/MWPb0

Step 6: Count down the list of filters on that page until you come to the filter that coincides with the resulting number from step 4 above.

Step 7: Close your eyes and imagine a simple photograph that would be described with the tweet that is the title of your track, and that would have been treated with the filter that resulted from the step 6.

Step 8: Now imagine that the image from step 7 is the cover of your next single. Record a track of original ambient music that would be this single. It should be between one and two minutes in length, true to the postcard-like quality of Instagram — and, by extension, Textinstagram.

3. Process

The result of the above steps was ‘Branches against a colorful background’ with ‘no filter’.
With a picture of branches against a colorful sky - as i can see right now when i look out the window - i started working on this week’s piece.

I only used one single, old sample, and since ‘my’ textinstagram has no filter, i didn’t add any filter to the sample, but tried to create an atmosphere fitting to this sunny pre-spring afternoon, by pitching down and placing the sample in several loops.

I hope you like it.

_s.


More on this 61st Disquiet Junto project at:

http://disquiet.com/2013/02/28/disquiet0061-textinstagrambient

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

late night work. sending out pre-orders tomorrow! (Taken with Instagram)

late night work. sending out pre-orders tomorrow! (Taken with Instagram)

New release: ‘I remember how we were standing on Chesil Beach, we hardly said a word’

Yes.

Time to let go. You can pre-order my new album, ‘I remember how we were standing on Chesil Beach, we hardly said a word’, from NOW on: 

http://steiner.bandcamp.com/

CDr comes in handfolded 4-panel chipboard, handstamped, with full-coloured booklet. Limited edition of 50. Shipping on or around 17 september 2012.

Artwork by La Casita Del Cuco (www.lacasitadelcuco.es),
mastered by Yves De Mey (www.knobsounds.com

Pre-order includes immediate download of 3 tracks. 
Thank you for stopping by!
S.



“Disquiet Junto Project 0033: Turntable Played”

This week’s project is the Disquiet Junto’s 33rd, and since the number 33 (or, more specifically, the number 33 1/3) is so closely tied with the LP turntable, that device will be the primary object of investigation.

Sound source: Pioneer PL-112D turntable.
Recorded with an old contact mic i bought in St-Petersburg, Russia, back in 1997.
Other hardware: Apogee Duet / MacBook Pro.
Software used: Ableton.



More on the 33rd Disquiet Junto project at:

http://disquiet.com/2012/08/16/disquiet0033-turntable/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/info

Work in progress… (Taken with Instagram)

Work in progress… (Taken with Instagram)

friday, july 13th
fifth variation.

(guitar, reverb, delay, vinyl, laptop)

thursday, july 12th
fourth variation.

(guitar, reverb, delay, laptop)

wednesday, july 11th
third variation.

(guitar, reverb, noise, laptop)

240413-(wednessday, 19:05) some things happen only once, some things will never happen again

240413-(wednessday, 19:05) some things happen only once, some things will never happen again

230413-(tuesday, 19:20)

230413-(tuesday, 19:20)

210413-(sunday, 08:20)

210413-(sunday, 08:20)

‘Take 3 sine-waves. Do something with it.’

That’s in a nutshell the instruction for this week’s junto.
A challenge, if you’re (like me) suffering from a certain something I’d like to call ‘digital fatigue’.

I created a 4-minute piece, based on 3 sine-waves.
I only used my laptop this time.
Hey, ho, digital, let’s go!



***
Disquiet Junto Project 0062: Life of Sine

This week’s project involves making music from the basic building block of sound: the sine wave.

You will compose and record a piece of music using just three different sine waves, and nothing else — well, nothing else in terms of source material, but the waves can, after the piece has gotten underway, be transformed by any means you choose.

These are the steps:

Step 1: Devise which three sine waves you will employ. They should be different from each other in some evident way.

Step 2: The track should open with just one of the sine waves.

Step 3: Add the second sine wave at 5 seconds.

Step 4: Add the third sine wave at 10 seconds.

Step 4: Only at 15 seconds should you begin to in any way manipulate any of the source waves.


More on this 60th Disquiet Junto project at:

http://disquiet.com/2013/03/07/disquiet0062-lifeofsine

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto Project 0061: Textinstagr/am/bient

1. Background: This project is a low-key followup to the Instagr/am/bient compilation at the end of 2011, and that was in many ways the direct precursor of the Disquiet Junto.

Various contributors to Insta/gr/ambient were among the initial participants in the Junto. (http://disquiet.com/2011/12/28/instagrambient-25-sonic-postcards/ - https://soundcloud.com/disquiet/stijnhuwels/s-eYAXb)

2. Instructions:

Step 1: Roll a die six times (or six dice once), add up the combined results, and then subtract five from it. Make note of the resulting number.

Step 2: Visit this Twitter account:

https://twitter.com/textinstagram

Step 3: Count the tweets of that account backwards from the most recent tweet at the time of your visit until you reach the tweet that coincides with the resulting number from step 1 above. Make note of this tweet, unless it begins with an @ sign. If the tweet begins with an @ sign, then use the next tweet (continuing down in reverse chronological order). If the next tweet also begins with an @ sign, then continue until coming to a tweet that doesn’t begin with an @ sign. This final tweet will serve as the title of the track you will soon begin composing and recording.

Step 4: Now, roll a die twice (or two dice once), add up the combined results, and then subtract one from it. Make note of the resulting number.

Step 5: Visit this web page and locate the list of Instagram filters:

http://goo.gl/MWPb0

Step 6: Count down the list of filters on that page until you come to the filter that coincides with the resulting number from step 4 above.

Step 7: Close your eyes and imagine a simple photograph that would be described with the tweet that is the title of your track, and that would have been treated with the filter that resulted from the step 6.

Step 8: Now imagine that the image from step 7 is the cover of your next single. Record a track of original ambient music that would be this single. It should be between one and two minutes in length, true to the postcard-like quality of Instagram — and, by extension, Textinstagram.

3. Process

The result of the above steps was ‘Branches against a colorful background’ with ‘no filter’.
With a picture of branches against a colorful sky - as i can see right now when i look out the window - i started working on this week’s piece.

I only used one single, old sample, and since ‘my’ textinstagram has no filter, i didn’t add any filter to the sample, but tried to create an atmosphere fitting to this sunny pre-spring afternoon, by pitching down and placing the sample in several loops.

I hope you like it.

_s.


More on this 61st Disquiet Junto project at:

http://disquiet.com/2013/02/28/disquiet0061-textinstagrambient

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

late night work. sending out pre-orders tomorrow! (Taken with Instagram)

late night work. sending out pre-orders tomorrow! (Taken with Instagram)

New release: ‘I remember how we were standing on Chesil Beach, we hardly said a word’

Yes.

Time to let go. You can pre-order my new album, ‘I remember how we were standing on Chesil Beach, we hardly said a word’, from NOW on: 

http://steiner.bandcamp.com/

CDr comes in handfolded 4-panel chipboard, handstamped, with full-coloured booklet. Limited edition of 50. Shipping on or around 17 september 2012.

Artwork by La Casita Del Cuco (www.lacasitadelcuco.es),
mastered by Yves De Mey (www.knobsounds.com

Pre-order includes immediate download of 3 tracks. 
Thank you for stopping by!
S.



Taken with Instagram

Taken with Instagram

Taken with Instagram

Taken with Instagram

“Disquiet Junto Project 0033: Turntable Played”

This week’s project is the Disquiet Junto’s 33rd, and since the number 33 (or, more specifically, the number 33 1/3) is so closely tied with the LP turntable, that device will be the primary object of investigation.

Sound source: Pioneer PL-112D turntable.
Recorded with an old contact mic i bought in St-Petersburg, Russia, back in 1997.
Other hardware: Apogee Duet / MacBook Pro.
Software used: Ableton.



More on the 33rd Disquiet Junto project at:

http://disquiet.com/2012/08/16/disquiet0033-turntable/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/info

Work in progress… (Taken with Instagram)

Work in progress… (Taken with Instagram)

friday, july 13th
fifth variation.

(guitar, reverb, delay, vinyl, laptop)

thursday, july 12th
fourth variation.

(guitar, reverb, delay, laptop)

wednesday, july 11th
third variation.

(guitar, reverb, noise, laptop)

New release: ‘I remember how we were standing on Chesil Beach, we hardly said a word’

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